Remembering Celtic Woman

As a few know, my liking of Celtic Woman has been declining over the past few years, but it worsened these last few months with the departures of both Alex and Lynn. To me, the group doesn't sound the same anymore, especially ever since Meav and Orla took off. And my hopes have not been risen either by the announcement of the new member today.

Today I was reminded of the good ol' days before Meav and Orla left, back when the five original members existed in the group. Videos of Orla's recent Christmas concert in Nashville have been popping up on youtube, and I've been watching them. Someone today uploaded one of Meav and Orla singing "Do You Hear What I Hear?". I started watching it, and oh, did my eyes begin to water up. Watching the two smiling and singing together, I was immediately reminded of Celtic Woman between 2004 and 2007, back when I thoroughly enjoyed their music and the girls' stage presence. The singing was gorgeous, but it was seeing the two interact and treat each other like old friends as they performed and hearing the people applaud loudly and give them a standing ovation afterwards, that's what got me. It made me realize how much I truly miss the old Celtic Woman, the one I discovered back in 2006 through a random music search, and sadly I don't think I'll ever see it again, live or in studio.

So, I heartily recommend finding the video on youtube and watching it. It will remind you of Celtic Woman's glory days, and, plus it's an excellent addition to anyone's Christmas music library.

Movie Review: Toy Story 3

I admit it; when I first saw the trailer for "Toy Story 3", I was a little dubious about it. And, hearing mixed reviews from other people who saw it, I was skeptical and not sure what to think. However, last week, my family got it from our local Redbox and watched it.

The story takes place around ten years after the events of "Toy Story 3", when Andy is preparing to go off to college and his toys are not looking forward to moving into the attic. After mistakenly being thrown in the garbage, the toys decide to go off to the local daycare, where they will have someone new to play with them. However, things take a different turn when the daycare turns out to be a living nightmare, and the toys must escape.

Despite my misgivings about the movie, I turned out enjoying it far more than I expected to. However, I will insert a little warning here: this movie, despite being for children, does not exactly contain material for younger ones. There are a couple of creepy characters that would absolutely terrify kids and a couple of situations that they could be freaked out by. Not only that, but there is a little more "adult"-themed material like tying up a Barbie doll in his underwear and torturing him or the same character seemingly cross-dressing later on; it is played on for laughs, but I would be a little edgy on showing it to kids. Though, I will say, the last few scenes of the movie will make you cry, especially the adults or parents.

One issue I did have with the movie was the repetitive situations and such that have been used in one of or both of the previous films. A few examples are the toys always getting lost and having to find their way home, a toy who seems kind but turns out malicious, and Buzz going through his "space ranger" delusion. While each situation, granted is a little different, it does come across as being somewhat repetitive and unimaginative.

Other than those issues, "Toy Story 3" lives up to its two predecessors and is a worthy addition to anyone's Pixar collection as well as being a (hopefully) good ending to the "Toy Story" trilogy.

I give it 4 and 1/2 stars out of five.

Loreena McKennitt- The Wind That Shakes the Barley

Ok, any Celtic music lovers out there, Loreena McKennitt is releasing her new album "The Wind That Shakes the Barley" on November 15th (in the US). It seems Ms. McKennitt is returning to her original Celtic roots, as all nine songs are traditional Irish ones. Samples are available on her website, and I must say, they sound amazing. I largely know of McKennitt's music by her more Middle Eastern and Mediterranean themes, but this is a different flavor for her. Taking the lush arrangements from her more recent works and adding the beautiful sound of the uillean pipes, Loreena's music seems different yet good. I am thoroughly looking forward to the release of the album, and I think I may just add it to my very small Christmas list for the year.

Orla Fallon: "Winter, Fire, and Snow"

And, now as I promised recently, I shall give you all a review of Orla Fallon's Christmas/ winter-themed album "Winter, Fire, and Snow".

"What Child Is this?"

This hymn, with its familiar tune of "Greensleeves" is pretty, although the style and arrangement strikes me as something Moya Brennan would do.

"Emanuel"

This traditional hymn starts off acapella with fairly large pauses between stanzas (which becomes annoying and does not have a smooth feeling to it), and then it works into the rest of the band. I am not familiar with these verses, as this version has ones not normally sung. Compared to Enya and Hayley Westenra, this song is nothing memorable.

"Away in a Manger"

Orla sung this on Celtic Woman's Christmas album, and this version sounds almost identical, like what she would have sung with them. I would have preferred a different arrangement.

"God Rest Ye Merry Gentlemen"

Orla picks up the pace on this song, but I do not get the feeling of "comfort and joy" in the way she sings it. The piece then transforms into an instrumental version of "We Three Kings" (though I honestly had difficulty telling the two songs apart).

"Silent Night"

This song has been covered in Gaelic so many times it has grown old on me. It sounds almost identical the one Meav sang with Celtic Woman.

"Captain O'Cain"

Orla's harp has returned after spending time in the background on "Distant Shore". It is a pretty song, and the tune is familiar to me, having heard Maggie Sansone perform it. However, I do not know why this song was put on a Christmas/winter album.

"Bells of Christmas"

This song, most likely written by Orla, is pretty and sounds like Moya Brennan mixed with a bit of Loreena McKennit. To me, it is the only Christmas-y song on the album without coming across as sentimental. One of the few highlights of the entire album.

"In the Bleak Midwinter"

There is nothing particularly memorable about this song for me, despite being a pretty arrangement.

"Suantrai"

No, this is not the same one that Meav performs on her album "Celtic Journey"; rather, this is Anuna's version. Unless the song refers to Christ, once again I don't know why it ended up on this CD.

"Carolan's Welcome"

I have heard a couple of versions performed by Aine Minogue and the Chieftains, but the latter is still my absolute favorite. Orla sounds more like Aine here, and I'm still a bit puzzled over why a non-winter/Christmas tune is on here.

"Winter, Fire, and Snow"

This song is a poem converted to song form thanks to Brendan Graham (author of "My Land", "The Voice", and "You Raise Me up") and made popular by Orla's former collaborator Anuna. Even though it a haunting piece, Anuna's still holds my heart.

"Wexford Carol"

This carol sounds, again, identical to Meav/ Celtic Woman's.

I was hoping that this album would be an improvement over Orla's "Distant Shore" (which I thought was too pop-sounding for her style), but I found "Winter, Fire, and Snow" to be sadly worse.

First off is the style. Orla has departed from the pop, but she is now swinging more towards sounding like Moya Brennan. Maybe it is just because she is discovering her unique style, but Orla here sounds like a wannabe doing what other artists have already done and not standing up to them. She should find her own sound and stay there.

Second is the song choice. Besides a few Christmas/winter tunes, the album itself does not have the feel of something to listen to on a winter's day. Songs like "Carolan's Welcome" and "Captain O'Cain" sound more like filler and do not fit into the general scheme of things. And not only that, but the song arrangements are lacking and unimaginative. They sound more like Celtic Woman and less like Orla as a solo artist; and those not inspired by CW sound like Moya Brennan or come across as being passionless and flat, with nothing truly memorable about them.

Third off is Orla's voice itself. I read somewhere that the album was done in a short period of time, and it sounds exactly like that. Even though I have no critical fondness for "Distant Shore", I could still see Orla smiling and putting her heart into what she was singing. Here, I do not get that impression. Everything sounds rushed, as if there was no time to put a little heart and soul into what was performed.

I know Orla can do much, much better than this. She has no lack of talent or personality in singing and playing the harp, but sadly she fell flat on this CD. I was very disappointed to hear this album, and I can only hope that this is not a sign of things to come.

I give this album one and a half out of five stars.

Movie Review: Inception

While I hold off on the new Orla Fallon CD, I've decided instead to do another movie review for Christopher Nolan's "Inception", which I saw earlier this week.

"Inception" is not your typical heist movie commonly seen in theaters today. Leonardo DiCaprio plays Cobb, a thief who does his work in a most unusual fashion: breaking into someone's mind while they sleep and stealing their ideas. After a botched job, his victim, played by Ken Watanabe, offers him a deal: if he can cause the break-up of a rival company, he will enable Cobb to return home, as he has been living overseas in exile for an unspecified amount of time. Cobb assembles a team together and prepare to do this very risky job, but his personal demons are not far behind and could put the entire mission in jeopardy.

All in all, the movie was absolutely amazing. The story being centered around how we dream was a fascinating concept and came across as being very original. There was good, solid acting from everyone, and I have no complaints about the characters, even though DiCaprio's character in some ways was reminiscent of his role in "Shutter Island". The special effects were excellent, and they gave the film a surreal, dream-like feel. And, not to mention the ending of the film which will have everyone talking about it for days and make you want to see it again.

I highly recommend this film, and it is truly one of the best movies I have seen in a long time.

I give it five out of five stars.

Upcoming CD Review

I am, at the moment, listening to former Celtic Woman Orla Fallon's Christmas/ winter CD "Winter, Fire, and Snow", purchased in MP3 form from Green Hill Music. However, because of her upcoming Christmas show in Nashville and because the CD largely being released the second week of September, I will not be posting a review until around then. Besides, it will give me more time to digest the CD and its content, something I wish I had done when writing a review of her "Distant Shore" last year. So, keep your eyes open for this upcoming review.

Movie Review: Shutter Island

A few weeks ago, on a recommendation from some friends and my own brother, my family rented this thriller from Blockbuster.

WARNING: SPOILERS AHEAD


Edward (also known as "Teddy") Daniels is a US marshal summoned out to Ashecliff, a psychiatric hospital on Shutter Island, to find a missing patient named Rachel Solando there. He and his new partner "Chuck", as they dig deeper into finding the woman, discover that not everything is as it seems and that darker things could be happening at the hospital while, at the same time, Teddy battles the memory of his dead wife Dolores who urges him to find the man who killed her and may be on the island himself.

This movie was an interesting choice for Martin Scorsese, who is more well-known for his gritty films like "The Departed" and "Gangs of New York", but he pulled off this psychological thriller very well. Even though I had partially guessed the twist ending about halfway through the movie, it was still a surprise to me. The ending left no plot holes and fit the story perfectly; in fact, watching it a second time, I picked up more clues that gave it away, so do pay attention to it. I have no general complaints about this film, as it was enjoyable and well-done.

I give it four and a half stars out of five.